PANEL 1 A
Paper 1: Satara Ablort-Morgan (US)Exposing Social Realities Through Television Drama: Teenage Sex and Prison Rape in Yizo Yizo II
Paper 2: Janine Loedolff (US)Carrington and Strachey: Playing with pederasty
Paper 3: Mike Malherbe (US)
Art as Project and the Realisation of Sartre's Aesthetic Philosophy in his play The Trojan Woman |
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PANEL 3 B
Paper 1: Janka Steenkamp (US) Feminine Sex(uality) and the City: Women in Urban Space
Paper 2: Sarah Duff (US)'not yet a man'? Representations of Gender in Peter Abrahams's Mine Boy
Paper 3: Jana Rademeyer (US)Masculine Crisis or Feminine Statute |
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PANEL 4 A
Paper 1: Karin Samuel (US)Debating the Right to Fictionalise Atrocity
Paper 2: Jaco Smit (US)Cooking Orah Leaves and a Identity |
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PANEL 4 B
Paper 1: Zane Arnold (US)District Six
Paper 2: Kudzayi Ngara (UWC)'Partial' Culture - Hybridity and Multiculturalism in Zadie Smith's White Teeth |
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PANEL 5 A
Paper 1: Ryan James (US)In Search of a 'Paradise Lost': The Utopian Underpinnings of South Africa's Tourist Experience
Paper 2: Themba Tsotsi (UWC)The City as a Space of Multicultural Interaction
Paper 3: Tony Jacobs (UWC)Rereading Nonqawuse's Dream as an instance of cultural cross-over: pastoral utopian vision in Mda's The Heart of Redness |
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PANEL 5 B
Paper 1: Imke Van Heerden (US)The 'I' Online: Blogs and Postmodern Identities
Paper 2: Carla Potgieter (US)God is a DJ - The transition between modernism and postmodernism in pop music, and the displacement of the "rock god" |
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PANEL 6 A
Paper 1: Riaan Oppelt (UWC)Contested Nationalisms |
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